Project Detail

i

Synopsis

It has been said that the eye is the window on the soul. A snapshot of a terrifying moment, only partially revealed, i is raw uncompromising cinema.

Details

Year
2008
Type of project
Shorts
Running time
2 mins
Format
35mm
Director
Luke Losey
Producer
Maverick Litchfield-Kelly
Editor
Richarch Wolf
Screenwriter
Luke Losey
Director of Photography
Crighton Bone
Sound
Tim Harrison
Principal cast
Alison Newman
VFX Artist
Martin Goodwin
Make-Up
Alyn Waterman

Categories

Production Status

Production Company

Neath Films Ltd

15 St. Giles Tower
Gables Close
London, SE5 7QE
UK

T +44 207 708 0266

hi@neathfilms.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Promise The Promise

Director: Luke Losey

Year: 2009

In an age where the viewer can watch public executions online, ordinary slaughter and routine atrocity make us numb to the pain of human beings. The Promise looks at this final moment from the victim's perspective.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.