I Can See the Sun but I Can't Feel it Yet

Director: Joseph Wilson

Year: 2021

A short film that, through lip-syncing, depicts the traumatising stories of queer performers Soroya, Harry and Kenya and their emotional journey to adulthood. The film explores themes of loneliness, anxiety, trauma and recovery, all common issues within the LGBT+ community. Official Selection BFI London Film Festival 2021 Official Selection Kurzfilm Festival Hamburg 2022

Director: Konadu Gyamfi

Year: 2023

Konadu Yiadom Gyamfi takes a poetry-led journey through Ghana and the experience of female welder Stella A true story captured through poetry, director and poet Konadu Yiadom Gyamfi follows the journey of Stella, a female welder from Uganda. Shot in Ghana, the film showcases the profound impact of faith in guiding her towards success in a world that often challenges her path as a woman. “There are so many diverse and captivating stories to be explored within this beautiful and complex continent but we don’t often hear the stories of women from their own mouths. Platforming stories like Stella’s is how we start moving forward in portraying Africa and its people.” Defying expectations through her resilience and passionate dedication to her craft, Stella transcended early challenges she faced by entering into a program for young women, now a working welder in spite of societal beliefs regarding women’s roles. Evolving over several months of close collaboration between Stella and Gyamfi, the film illustrates Stella's life and the local landscape through insightful conversations tracing her path into welding, lensing a remarkable reality that confronts narratives on African women that strip away their agency.

Director: Helen Anna Flanagan

Year: 2025

Burnt Toast is a contemporary ghost story that resurrects legendary British comedian Tommy Cooper, who famously died mid-performance in 1984. Blending machine learning, VHS footage, archival materials, and a trained impersonator, the film follows Phil, an unemployed magician trapped in the decaying home of the director’s late schizophrenic uncle. Phil’s hallucinatory act navigates the alienation of late capitalism, touching on social class, identity, mental health, and delusion—all punctuated by his trademark jokes and failed magic tricks.