Project Detail

I, Superbiker IV: War for Four

Synopsis

The 'I, Superbiker' movies have, since 2011, become an annual international motorcycle cinema event, recording the ups and downs of a year in the MCE insurance British Super Bike Championships.

The film travels deep into the commitment, psyche & lives of both the riders & teams as they battle to become Britains top Superbiker.

The fourth film charts the tense story of the 2013 British Superbike Championship as the season unfolds.

Details

Year
2014
Type of project
Features
Running time
99 mins
Director
Mark Sloper
Producer
Mark Sloper
Editor
David Hughes
Screenwriter
Mark Sloper
Director of Photography
Mark Sloper
Composer
Michael Lowley
Principal cast
Shane Byrne, Alex Lowes, James Ellison, Tommy Bridewell, Murray Walker

Genre

Categories

Production Status

Production Company

400 Television

Suites 6 - 14, West 12 Studios,
2A Askew Crescent
London W12 9DP

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

I, Superbiker: The Day of Reckoning I, Superbiker: The Day of Reckoning

Director: Mark Sloper

Year: 2013

A 2012 season review of the British Superbike Championships.

A man stood on a chair wipes water vapour with his hand off the glass cover of a memorial board in a stone brick chapel. Adlais

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

A woman paints on a large canvas in bright colours The End of Times

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.