Idol of Evil

Director: Kevin McDonagh

Year: 2006

Zoë Verne is a regular at Club Dis, the city's hottest subculture superclub. But late one evening she leaves distraught, and is set upon by four dark figures. All she hears is a snarl - she's dead before she can scream. Detective Alex Taylor has it all, but he's losing it fast. His career is on a downward spiral; his fiancée is a stranger to him; and now he's handling Zoë's death - seemingly killed by a wild animal - but the closer he looks, the more the ground falls from beneath his feet. Forensic evidence shows Zoë was addicted to a drug derived from a fungus called Ergot. During the Dark Ages, whole villages were driven mad by eating infected wheat, giving rise to the myth of the Werewolf. Alex suspects Zoë's death is related to this drug, and that the owner of Club Dis is involved, preying on his clientele, luring them into addiction, prostitution and worse. The manager tells Alex nothing; but one of the regulars takes Alex in. At first Alex is appalled by the decadence and free expression. But the more Alex experiences, the more he is drawn into this new life. But more deaths occur, implicating the owner’s female lieutenants - and Alex realises he's in more danger than he'd imagined. Alex returns to Club Dis to bring the owner and his girls to justice, but soon finds himself facing an even greater dilemma than he had ever feared.

Director: Ben O'Connor

Year: 2026

Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.

Director: Simon Brooke

Year: 2025

Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.