Project Detail

I'm Not a Feminist, But...

A drawn woman in a blue polka-dot dress reads a letter in an armchair, a man's legs sticking out behind it

Synopsis

Watch out: if you insist on saying "I'm not a Feminist, but...", then you may well find yourself pushing the old man over the edge or behind the sofa, as the case may be. Adapted from the cartoons and drawings of Christine Roche.

Details

Year
1997
Type of project
Shorts
Running time
7 min
Format
35mm
Director
Marjut Rimminen
Producer
Dick Arnall
Editor
Charlotte Evans
Sound
Charlotte Evans
Composer
Dick Heckstall-Smith, Dave Moore
Principal cast
Glynis Brooks, David Tate, Anita West
Other Lead Creative(s)
Christine Roche
Additional animation
Jeff Goldner, Spud Houston
Tracing
Gail Pearce, Christine Dawe, Russel Murch, Christine Roche
Painting
Debra Thaine, Denise Hambry, Stoney Parsons, Chris Rayment, Tessa Sheridan
Rostrum camera
Cartoon Camera Co, Wolff Productions, Begonia Tamarit

Production Status

Production Company

Marjut Rimminen Animation, in association with Channel Four Television

Contact: Finetake

Sales Company

Page updates

This page was last updated on 14th October 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A drawn girl crouches against the wall of a grey prison cell under a barred window, a shadow in the doorway Some Protection

Director: Marjut Rimminen

Year: 1997

An animated documentary based on the true story of Josie O'Dwyer, with her own voice as personal commentary. The film shows the devastating effect that detention and imprisonment have on young girls who are sent in "for their own protection". Part of Blind Justice (broadcast as In Justice), a four-part Channel 4 series on women and the law.

A puppet girl in a red flowered dress presses against a window, a walking figure reflected in the glass Many Happy Returns

Director: Marjut Rimminen

Year: 1996

The disjointed debris of our childhood state still lurking within our adult consciousness act as a painful, disruptive force. A ghost-like little girl keeps tapping on a woman's consciousness, demanding attention, recalling a traumatic childhood event and thus distorting her experience of the present.

Elenya, the self-proclaimed Elvish Princess, sitting at Hackney Marshes. The Lost Princess of Hackney

Director: Fenton Dyer

Year: 2026

A self-proclaimed Elvish Princess finds herself stranded on our world in the Hackney Marshes. Without any magic to return home, she searches for purpose but develops an unlikely friendship with a sceptical student filmmaker.