Inside I'm Dancing

Director: Damien O'Donnell

Year: 1999

Set in Salford in 1970, East is East is a fast moving comedy of mixed-race manners. It centres on the Anglo-Pakistani alliance of the Khan family that is both claustrophobically cohesive and desperately dysfunctional. In their cramped Salford terrace house, daily anarchy erupts with farcical energy. The Khan children, being caught between bell-bottoms and arranged marriages, scoff surreptitious rashers of bacon as they are buffeted this way and that by their father's insistence on tradition, their English mother's laissez-faire, and their own wish to be citizens of the modern world. Based on the award-winning stage play by Ayub Khan-Din, East is East was originally produced by the Royal Court Theatre, revived due to critical acclaim at the Theatre Royal in Stratford East 1997.

Director: Claire Molloy

Year: 2026

A drama set in rural England amidst the backdrop of World War II exploring themes of identity, belonging, and the impact of war on personal lives - highlighting the human capacity for both empathy and cruelty in times of crisis. Martha, an 11-year-old mixed-race girl, is evacuated from London to the northern English countryside. Martha finds herself in the care of a gruff gamekeeper and his family. Feeling isolated and rejected due to her racial background and the community’s war-induced tensions, she tries to adapt to her new life, becoming captivated by the natural beauty of the countryside. Martha forms a secret friendship with Enzo, an Italian POW, whose gentle demeanour and shared sense of displacement draw them together. Martha also navigates a complex relationship with George, the gamekeeper's son, who is torn between his familial prejudices and his growing fondness for Martha.

Director: Ryan Pollock

Year: 2025

Set in the decaying housing estate of Gowkthrapple and based on a true story, Gowk follows a young boy as he begins to uncover a painful family secret. His mother’s sudden absence casts a shadow over the household, while his father, unable to express his own suppressed pain, keeps the truth of the incident buried. As the boy begins to realise the emotional weight of his family’s past and the fragility of its present, he navigates a world of unspoken truths and generational wounds. The film explores the cyclical nature of family bonds, the struggle to connect across generations, the impact of inherited trauma, and the beginnings of a premature loss of innocence.