It For Others

Director: Duncan Campbell

Year: 2016

Originating with research undertaken at the Irish Film Institute Irish Film Archive, artist Duncan Campbell’s piece takes as a starting point a 1960s anthropological film study of rural Kerry to investigate and reframe contemporary Ireland. In this work Campbell looks at some of the assumptions, ethics and misconceptions that frame the relationship between filmmakers and subjects. The piece is underpinned by extensive research into archival and documentary material, including Paul Hockings and Mark McCarty’s 1968 documentary film, 'The Village', alongside influential anthropological studies. As with much of Campbell’s work, this piece questions the validity of documentary form as historical representation, blurring fact and fiction, recording and interpretation. Official Selection BFI London Film Festival 2017 - Experimenta Strand

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere