It For Others

Director: Duncan Campbell

Year: 2016

Originating with research undertaken at the Irish Film Institute Irish Film Archive, artist Duncan Campbell’s piece takes as a starting point a 1960s anthropological film study of rural Kerry to investigate and reframe contemporary Ireland. In this work Campbell looks at some of the assumptions, ethics and misconceptions that frame the relationship between filmmakers and subjects. The piece is underpinned by extensive research into archival and documentary material, including Paul Hockings and Mark McCarty’s 1968 documentary film, 'The Village', alongside influential anthropological studies. As with much of Campbell’s work, this piece questions the validity of documentary form as historical representation, blurring fact and fiction, recording and interpretation. Official Selection BFI London Film Festival 2017 - Experimenta Strand

Director: sister sylvester and Nadah El Shazly

Year: 2025

Constantinopoliad is an expanded documentary and installation that centers around the collective reading of a hand-made book. A response to the archive of the poet Constantine Cavafy, the story is inspired by the blank and torn out pages in “Constantinopoliad, an epic”, the journal the teenage Cavafy began when he and his family fled Alexandria; by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems.

Director: Konadu Gyamfi

Year: 2023

Konadu Yiadom Gyamfi takes a poetry-led journey through Ghana and the experience of female welder Stella A true story captured through poetry, director and poet Konadu Yiadom Gyamfi follows the journey of Stella, a female welder from Uganda. Shot in Ghana, the film showcases the profound impact of faith in guiding her towards success in a world that often challenges her path as a woman. “There are so many diverse and captivating stories to be explored within this beautiful and complex continent but we don’t often hear the stories of women from their own mouths. Platforming stories like Stella’s is how we start moving forward in portraying Africa and its people.” Defying expectations through her resilience and passionate dedication to her craft, Stella transcended early challenges she faced by entering into a program for young women, now a working welder in spite of societal beliefs regarding women’s roles. Evolving over several months of close collaboration between Stella and Gyamfi, the film illustrates Stella's life and the local landscape through insightful conversations tracing her path into welding, lensing a remarkable reality that confronts narratives on African women that strip away their agency.