Jamais Vu
Synopsis
Shot in varying live and object stop-frame formats, Jamais Vu depicts an individual's descent into his own madness, capturing the perverse poetry of insanity by using motifs of dream, blackout, amnesia and final annihilation. As we enter the opening dream, we witness the protagonist's (Antonio O) fall into the self-referential world of the Cellar, a place where objects seem to have their own malicious intent. Trapped within the unknown space, Antonio O struggles to hold onto some sense of his own self. He starts to have flashbacks of his forgotten memories which become so vivid that he can not handle any more and as he collapses, he regurgitates all of his memory into a book and breathes his last breath. Ultimately, though, we realise that the Cellar is the main protagonist.
Details
- Year
- 2006
- Type of project
- Shorts
- Running time
- 7 mins 53 secs
- Format
- Digital Skills
- Director
-
Kenny Ip, Paul Haffenden 1st Feature
- Producer
- Kenny Ip, Paul Haffenden
- Editor
- Kenny Ip, Paul Haffenden
- Screenwriter
- Kenny Ip, Paul Haffenden
- Director of Photography
- Kenny Ip, Paul Haffenden
- Production Designer
- Kenny Ip, Paul Haffenden
- Sound
- Kenny Ip, Paul Haffenden
- Composer
- Noise Instruments for Insomniacs and Japana Maho
- Principal cast
- Adam McKeown, Dominique Auch
Genre
Categories
Production Status
Production Company
Cellar Productions
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
How to Be a Ghost in Bangkok?
Director: Jing Zhao
Year: 2025
After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.
As Time Swallows Time
Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks
Year: 2025
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.
The Grove: Reveries of a Village Ghost
Director: Simon Nunn
Year: 2025
Exploring the reports of a spectral mansion on the outskirts of Rougham, a village in the Eastern county of Suffolk. The film delves into local folklore surrounding these sightings as villagers recount their haunting experiences against the desolate backdrop of rural Britain. It reflects on themes of memory, place, and the fading tradition of oral storytelling, evoking the eerie atmosphere of a fractured England and our growing disconnect from the natural environment.