Project Detail

Jean Genet is Dead

Synopsis

Young men find themselves scattered and defencelessly exposed to a merciless sun. Their gaze moves off searchingly into the distance. Deserted places appear to offer vague promises of refuge. On a prison wall, an explosive image of desire emerges, full of hope for freedom. Constantine Giannaris relishes in mixing light and colour with the textures of Super 8 and video footage to express the thoughts of the poet Jean Genet. Greatly affected by the AIDS epidemic, he addresses the desire for love as well as the threat of isolation and death in a restless cinematographic delirium.
Official Selection Berlinale 2019 - Panorama 40

Details

Year
1988
Type of project
Shorts
Running time
35 mins
Director
Constantine Giannaris
Producer
Constantine Giannaris
Editor
Constantine Giannaris
Screenwriter
Constantine Giannaris, Jean Genet (Texts: ‘A Thief’s Journal’ and ‘The Miracle of the Rose’)
Director of Photography
Constantine Giannaris
Sound
Constantine Giannaris
Composer
Sally Herbert
Principal cast
Steve Maclean, Giannis Giannaris, Rafael Peña Cruz, Didier Lestrade, Mustapha Chellali
Film Image
© Constantine Giannaris Films

Production Status

Production Company

CGiannarus Films

Constantine Giannaris

Sales Company

CGiannarus Films

Constantine Giannaris

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Galicia! Galicia!

Director: Anna Maguire, Kyle Greenberg

Year: 2026

What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026

An Immersive Theatre / XR image of a courtroom with large television amongst a wraparound screen with scenes of humanity GAWD v. The People

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere