Project Detail

Julie and the Cadillacs

Synopsis

It's 1964 and The Beatles and The Rolling Stones are storming the charts all over the world. But, behind them, thousands of young groups like Julie And The Cadillacs are still fighting for success.





London PR man Adam Schneider and his partner Phil Green sign the group to a management contract and promise to make them stars. They move to London, where they meet lots of other music people, and Julie falls in love with songwriter Mike Williams.





It all goes wrong for the band when their first release flops, and Julie turns down Adam Schneider's amorous advances. He is furious and vows that she will never work in the record industry again.





The band is disheartened and penniless. Mike walks out after a row and the Cadillacs go back to Liverpool. Julie stays on in London, working as a waitress in the Rivoli Restaurant.





Ten months later, Adam Schneider's former secretary Babs comes into the restaurant and spots Julie. She offers to try and get her work as a session singer making radio jingles.





In the recording studio a few weeks later Julie is reunited with Mike. Babs get their record away to Holland and the offers start flooding in.

Details

Year
1999
Type of project
Features
Running time
102 mins
Format
35mm Kodak
Director
Bryan Izzard
Producer
Sean O'Mahony
Executive Producer
Sean O'Mahony
Director of Photography
Les Young
Principal cast
Toyah Willcox, Victor Spinetti, Peter Polycarpou, Tina Russell, Ben Richards
Executive Screen Writer
John Dean

Categories

Production Status

Production Company

Parker Mead Limited 43-45 St Mary's Road Ealing London W5 5RQ Tel: 020 8579 1082 Fax: 020 8566 0529 Email: some@dpgltd.demon.co.uk

Sales Company

Capricorn Communications Ltd Avalon Church Lane Finchampstead Wokingham RG40 4LN Tel: 0118 973 5990 Fax: 0118 973 5870

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Man wearing shirt exhausted on a blue coloured lounger, in a warm country. Sun umbrellas, pool and palm trees out of focus in the background. The sunlight hits him from the left-hand side. Your Sweet Home

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.

Woman leans against an opaque panelled door. Split Ends

Director: Grace Cassidy, Laura Hafes

Year: 2025

Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026