Junk Mail

Director: Paul Kelly

Year: 2013

How We Used To Live is effectively a prequel to Finisterre, a meditation on London life today and a glance back at a receding Britain. Using colour footage from the 1950s to the 1980s, taken from the BFI National Archive, the film covers the ‘New Elizabethan’ age from the optimism of the post-war era to the dawn of Thatcherism. Soundtracked by Saint Etienne’s Pete Wiggs and scripted by the band’s Bob Stanley with Travis Elborough, the film is for anyone who has ever tried to understand their city. Alluringly impressionistic, poetic and political, this is the most joyful and entertaining offering yet from a unique filmmaking collective.

Director: Paul Kelly

Year: 2011

As lead singer with Felt, Lawrence was responsible for some of the most precious music of the 1980s. On touchstone indie labels such as Cherry Red and Creation, the band released ten albums and ten singles - one for each year of the decade. Paul Kelly's intimate, smart doc portrait, a labour of love filmed over the last eight years, follows Lawrence between Go Kart Mozart albums, weighed down by the chips on his shoulders while still dreaming of being a pop star who rides in limousines and dates supermodels.

Director: Paul Kelly

Year: 2008

This is Tomorrow is the latest collaboration between film-maker Paul Kelly and pop band Saint Etienne, and is the result of the year they spent as artists in residence at the Royal Festival Hall. It is a journey into the past and the future of this internationally renowned and much-loved architectural space and its epic refurbishment. The film features interviews with people who have made major contributions to the building and its architecture, including designer Robin Day, original architects Trevor Dannatt and Jim Cadbury-Brown, Southbank Centre's current artistic director Jude Kelly, artist Jeremy Deller and author Alain De Botton as well as builders, manufacturers, local residents and Southbank Centre staff.