Kill Kill Faster Faster

Director: Gareth Maxwell Roberts

Year: 2019

A documentary feature film on the contemporary custom motorcycle culture. It's not a film about motorcycles, it's a film about motorcycle people. The philosophy of individualism is embedded in motorcycling. Modifying, customising, changing bikes is at the very heart of the biker. The scene is a paradox where analogue values are promoted through the digital world. A movement that harks back to old school values only made possible through the online portal of social media. Young people are engaging with motorcycling once again. There has been a massive influx of women into motorcycling. Standards of design and engineering continue to surge forward, with better and bolder bikes being created as builders continue to hone their skills and push forward their imaginative boundaries. The manufacturers have engaged with builders, facilitated and collaborated on projects, and helped individual builders direct and fine-tune their small businesses. We've witnessed a revitalisation of the motorbike. The motorcycling industry has finally started listening to bikers, and the wider motorcycle culture is benefiting. Motorbikes have become cool again.

Director: Gareth Maxwell Roberts

Year: 2011

The Mortician is a contemporary urban noir shot in digital 3D. The story of a man coming in from the cold, stepping from darkness to light. A man returning to the human race. A tale of revenge and retribution that is both soulful and brutal. The banking system is failing, and the city is bankrupt. The poor are corralled into lawless ghettos. The crime rate soars, but as long as the violence doesn't spill into their fancy backyards, the politicians don't care. In the decaying city, he processes corpses with a steely disregard. His work is conducted with a ritualistic eye for detail and an unyielding adherence to routine. The Mortician (Method Man) is alienated and cold. Emotionally isolated and lonely, his work is his purpose, his fascination with taxidermy his only distraction. An insomniac, he walks the deserted ghetto streets at night, watching the creatures of the night go about their business. The Mortician is a contemporary urban fairytale, one that triumphs kindness over cruelty. A story of reconciliation and hope in face of violence and darkness.

Director: Jack Sain

Year: 2026

Long-lost siblings meet for dinner. They end the night in drag. By sunrise, a shocking revelation tests the limits of love and acceptance. PAPER CUT is a debut feature from queer British writer-director Jack Sain. Alex has just found Alice - the birth sister he never knew existed - living four tube stops away. He invites her and her boyfriend over for dinner at the comfortable London home he shares with his boyfriend Sasha. Everyone is on their best behaviour. Everyone has rehearsed. By midnight, all four of them are in drag at a queer nightclub. By 5am, something comes to light that none of them can take back. The film puts social satire through an experimental lens, with a propulsive original score and formally adventurous set pieces, including a split-screen sequence. It asks what happens when people who pride themselves on openness are confronted with something they cannot absorb. The cast includes legendary trans actress Adèle Anderson, Olivier Award nominee and longtime member of cabaret trio Fascinating Aïda, and Barney White of ITV's Professor T - pairing established stage and screen talent with brilliant newcomers.