Kill the Day
Synopsis
'Everything around about you blocks the feeling that you're good out. I can fit in here. I can steal. I can live that life. I can go and steal every day, go and take junk every day, it's easy 'cause I've done it for years. It's the stepping out of that and doing something different that's frightening'.
Details
- Year
- 1998
- Type of project
- Shorts
- Running time
- 18 mins
- Format
- 16mm
- Director
-
Lynne Ramsey
- Producer
- Gavin Emerson
- Director of Photography
- Alwin Kuchler
- Principal cast
- James Ramsey
- Screen Writer
- Lynne Ramsey
Categories
Production Status
Production Company
Holy Cow Films 24 Tabor Street London W6 0BW Tel: 0468 398444 Fax: 020 7494 7808
Sales Company
BFI Films 21 Stephen Street, London W1P 2LN Tel: 020 7255 1444 Fax: 020 7580 5830 E Mail: andrea.klein@bfi.org.uk
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Poob
Director: AJ Jefferies
Year: 2026
POOB is ready to LEARN and have FUN! An exploration into control, detachment and agency in an abusive relationship.
Backwoods
Director: Aminah Alhamdu
Year: 2026
Two estranged friends miss the last bus home after a rave and are forced to stick together to make it home before dawn.
A Skulk in London
Director: Polina Chizhova, James Stephen Wright
Year: 2018
The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.