Kin
Synopsis
"It's a film about learning to love," says Proctor, whose previous films, Friends and On The Wire, have won her fans on the international festival circuit.
Because filming in the Koakoveld was too impractical, Kin was shot south of Namibia's capital, Windhoek, on the edge of the desert, which provides a stunning background to the drama. Music was used to highlight the film's themes.
"We wanted the beginning and end to be quite epic, to accentuate the massive continent of Africa and the very powerful forces of nature that we see throughout the film," says Proctor. "It's a very emotional film. The romance goes all wrong and through a sequence of images, we realise that it's not going
to work."
The film premiered at the Taormina Film Festival in July and festival dates so far confirmed include Mill Valley in October.
Details
- Year
- 2000
- Type of project
- Features
- Director
-
Elaine Proctor
- Composer
- Justin Adams.
- Dir
- Elaine Proctor. 2000. 35mm. 90mins. julia@bard.ftech.co.uk Exec prod: Miles Donnelly. Prod: Margaret Matheson. Scr: Elaine Proctor. DoP: Amelia Vincent. Prod des: Mark Wilby. Main cast: Miranda Otto, Isaiah Washington, Chris Chameleon, Moses Kandjoze, Ndondoro Hevita, Susan Coetzer, Martin Stefanus. Budget: Just under £3m. Funding: British Screen, Arts Council of England, Cinequanon, BSkyB.
Categories
Production Status
Production Company
BARD ENTERTAINMENTS Union Hall 27-20 Union Street London SE1 1SD Tel: (44) 20 7787 2778 Fax: (44) 20 7787 8710 Email: julia@bard.ftech.co.uk
Sales Company
Regent International (1) 310 260 3383 Territories sold: South Africa
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
In my Beginning Is My End
Director: Ben O'Connor
Year: 2026
Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.
Yellow Bucket
Director: Simon Brooke
Year: 2025
Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.
In-Pulse
Director: Riccardo Tito Pescini
Year: 2025
A Government sanctioned programme of opting to repress the individual’s true feelings is rolled out – the ultimate masking tool that sees two people in a relationship not able to share their true feelings no matter how drastic they are.