Kingdom of Us

Director: Lucy Cohen

Year: 2024

When 11-year-old Evie arrives in Cornwall, she’s expecting a girls’ holiday with her mum. But when local boy Adam takes her down an old tin mine, a mysterious discovery changes everything. On the brink of adolescence, as they begin to question what is real and imagined in their lives above ground, childhood narratives quickly unravel and the darker truths of the adult world seep in. Official Selection Glasgow Film Festival 2024 - World premiere

Director: Hannah Berryman

Year: 2024

A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle. Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all. At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. Official Selection DOC NYC 2024 - World premiere Official Selection CPH:DOX 2025 - European premiere

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.