Law of the Dragon

Director: Weijun Chen

Year: 2009

The 5000-seater West Lake Restaurant in the Chinese city of Changsha is the setting for this feature-doc. Old traditions and new money come together in a vibrant and colourful exploration of modern China. Central to the story is the restaurant's owner, the unstoppable Mrs Qin, a Communist Party member with a love of singing. Between mouth-watering and 'exotic' Chinese food and the rousing Communist songs sung by the staff, the film examines how China has been transformed over the last few decades. It also poses the question: in this new affluent and ambitious China, who is thriving and who is left behind? Many of life's most important events take place on the West Lake's stage and it is through these celebrations - a wedding between a wealthy property developer and his beautiful bride, a baby banquet and a grandmother's birthday party - that the film explores the struggles and hopes of Chinese people today.

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.