Let England Shake

Director: Seamus Murphy

Year: 2019

Writer and musician PJ Harvey and award-winning photographer Seamus Murphy hatched a collaboration - seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington DC. Harvey collected words, Murphy collected images. Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public - all cameras surrendered - are invited to watch the five week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels. By capturing the immediacy of their encounters with the people and places they visited, Murphy shows the humanity at the heart of the work, tracing the sources of the songs, their special metamorphosis into recorded music, and ultimately, cinema. Official Selection Berlinale 2019 - Panorama Dokumente - World premiere

Director: Daniel Mann

Year: 2026

Drawing on a location test filmed in Uganda and an email exchange with the scout, this short film captures cinema’s ties to land and its entanglement with colonial imaginaries, binding the fiction of filmmaking with state-building. Official Selection Berlin International Film Festival 2026 - Forum Expanded - World premiere

Director: Benjamin Wigley

Year: 2025

Beneath the polished floors of the Triennale di Milano, the ground begins to stir - an awakening of memory and matter. Plant, prion, soil, microbe… a fissure appears, first noticed by the cleaners. What starts as a subtle disturbance evolves into SPIKA, a strange ecological disruption that hungers for further disruption. This short film imagines a world overtaken by symbiotic life- plants and proliferating microbes that spread across the city, energised by SPIKA. The sculpture reimagines urban sustainability through Microbial Hydroponics (Mi-Hy), integrating hydroponics with microbial fuel cells to promote symbiotic relationships between plants and microbes. SPIKA becomes a prosthetic rhizosphere, transforming household waste into natural fertilisers. It challenges architecture’s legacy of ecological disruption and proposes an alternative: a closed-loop, living architectural core that turns buildings into metabolic hubs for the city. The film was created using 16mm celluloid, various film stocks, and plant-based hand development rituals to evoke the organic essence of SPIKA. It responds to the sculptural installation exhibited at the 2025 Triennale di Milano, and draws on a fictional conceit developed by the Experimental Architecture Group. Official Selection Ji.hlava International Documentary Film Festival 2025