Project Detail

Let It Come Down

Let It Come Down

Synopsis

A couple travels to a secluded family home to restore it ahead of an appraisal survey. But their weekend is interrupted by an unexpected visitor whose presence tests the limits of mutual desire and causes passions to collide, leading to fatal consequences.

Details

Year
2026
Type of project
Features
Running time
103 min
Director
Anna Fredrikke Bjerke 1st Feature
Producer
Kami Naghdi, Isabella Speaight, Molly Murphy
Co-Producer
Nastasja Borgeot
Executive Producer
Dinara Kulibayeva, Alexandre Montavon
Editor
Ricardo Saraiva
Screenwriter
Anna Fredrikke Bjerke
Director of Photography
Lorenzo Levrini
Production Designer
Andy Harris
Composer
Tóti Guðnason
Principal cast
Eliza Scanlen, Edvin Ryding, Charlie Rowe
Supporting cast
Lisa Loven Kongsli, Sam Hazeldine, Jude Bain, Eilidh McKerracher, Jacob Ferguson
Casting directors
Kristina Erdely, Hannah Marie Williams

Genre

Categories

Production Status

Production Company

Backscatter Productions Ltd

Isabella Speaight & Molly Murphy
13b Hanover Road 
London
NW10 3DJ 

Constance Media Ltd

Kami Naghdi
Anstead Farm Drungewick Lane
Roundstreet Common
Billingshurst
West Sussex
RH14 0RT

Sales Company

REinvent Yellow

Rikke Ennis
Wilders Plads 8 A
1403 Copenhagen K
Denmark

Page updates

This page was last updated on 1st June 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Man wearing shirt exhausted on a blue coloured lounger, in a warm country. Sun umbrellas, pool and palm trees out of focus in the background. The sunlight hits him from the left-hand side. Your Sweet Home

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.

Woman leans against an opaque panelled door. Split Ends

Director: Grace Cassidy, Laura Hafes

Year: 2025

Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026