Little Flowers

Director: Julia Dover

Year: 2001

Simcha (meaning happiness) explores the closed world of Hasidic women through the life stories of a powerful mother/daughter team who live in the Jewish ultra-orthodox community of North London. Images of "women's work" - Ita and Hindi in the workplace and at home preparing the shabbos meal - depict the crucial role of the woman in Hasidic religious life and nurturing Jewish identity. A passionate and disturbingly-frank commentary.

Director: A.D. Cooper

Year: 2026

When two con men try to scam an elderly woman in her own home, they think they're on for a sure bet. But they quickly discover that she is not the gullible old dear they anticipated. Tables are turned when the victim turns predator.

Director: Nina Danino

Year: 2026

“You are a sky of autumn, pale and rose; But sadness in me rises like the sea" The Eyes of Beauty, Charles Baudelaire, The Flowers of Evil In Greenwich Park, London two lovers stroll and talk about love, their relationship and the making of a film in Venice. The Venice film is shot on 16mm. Venice at dawn is empty and a protagonist sits at the empty San Marco Piazza, is seen walking in a detached manner from the grand sights and facades and interiors of Palazzos into the backstreets. In gilded interiors and painted ceilings, as the winter afternoon light weakens in a soporific atmosphere, she lays in dark interiors with frescoes of Antiquity. Like the Risen, at twilight she walks the alleyways and into the Like the Risen, at twilight she walks the alleyways and into the dark to meet the Devil at dawn. Featuring the actor Pietro Fanelli – the Devil makes a fleeting but impactful appearance, the protagonist offers herself to his gaze and touch. The film follows a path via the remnants of Romanticism and Charles Baudelaire’s The Flowers of Evil in search of beauty, opulence, exotic pleasure and lovers, exemplified by Venice.