Little Terrorist

Director: Ashvin Kumar

Year: 2018

A teenage British Kashmiri, Noor, retraces her roots in search of her father. She is joined by Majid, a local Kashmiri boy. Unwittingly they become involved in a 70 year old Kashmir conflict in one of the most deadliest parts of the world. Set against the spectacular backdrop of Kashmir, this epic tragedy unravels through the playful eyes of love-struck teenagers who, in their search, uncover the hidden secrets of the lost fathers of Kashmir.

Director: Ashvin Kumar

Year: 2004

Irrfan Khan (The Warrior) and Koel Purie (Everybody Says I'm Fine) lead this surreal rites of passage encounter between a dysfunctional, coke-snorting fashion model and an ultra-focussed, strong-silent stranger who are thrown together by chance. Set in the magnificent wilderness moon-scape of Ladakh, India, the road journey and the strange encounters that follow provide a dramatic backdrop for the relationship that develops. Both are outsiders, both are lonely, both crave the human contact that their roles in society deny them. Tentatively they search each other out in a film that is poised between elusiveness and engagement, suspicion and tenderness - at once hilarious and sinister, bizarre and moving, psychedelic and intensely real, Road to Ladakh is an original story scripted, edited and produced by director Ashvin Kumar.

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.