Project Detail

Living Proof: A Climate Story

Synopsis

A poignant and challenging archive documentary that looks for the roots of the climate crisis in post-war history. Are we heading into new territory, or could we be caught in a cycle of familiar promises?
Is climate change the inevitable consequence of our quest for energy and growth? Where does culpability lie? Living Proof searches for the roots of the crisis in our recent history. Archive footage from Scotland's national archive portrays a country shaped by the demands of modernity while an eclectic soundtrack amplifies the voices of the past in powerful and unsettling ways.

Details

Year
2021
Type of project
Features
Running time
98 min
Format
Digital
Director
Emily Munro 1st Feature
Producer
Emily Munro
Editor
Emily Munro, Stuart Wilson
Composer
Brownbear, Louise Connell, Post Coal Prom Queen
Footage
National Library of Scotland

Categories

Production Status

Production Company

Co-produced with support of Film Hub Scotland

National Library of Scotland

Moving Image Archive
Kelvin Hall
1445 Argyle Street
Glasgow
G3 8AW

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Childish Childish

Director: Emily Munro

Year: 2024

Archive footage, music and voice combine to explore the choreography of childhood and the possibility of childish autonomy. In a world ruled by adults, how does the child in film resist oppression and control? The childish imagination escapes in flights of fantasy, both brief and absorbing. Energy is directed and contained. "I'm live as a battery. Who am I to you?"

A young black girl around the age of 10yrs is sat crossed leg, in a big empty space and playing her guitar. There is a whole web of golden glowing music notes floating above her head. The Atlas of Sound

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.