Lost Boys: Belfast's Missing Children

Director: Des Henderson

Year: 2017

“Does killing elephants help to save the species? The 'Trophy Hunters’ of the exclusive Dallas Safari Cub believe so, and they, alongside other hunters give a surprising insight into their world and their perspective on wildlife preservation. With exclusive access to the Dallas Safari Club, a behind the scenes trip into the hidden world of big game hunting, where millionaires bid to hunt endangered species. Following them from the auction room to the African continent, where they claim that their sport actually saves lives in bringing much needed funds to impoverished communities, and help in the conservation effort. Each year, the club itself comes under intense media scrutiny and severe criticism for it’s annual big game auction, and it is here that the arguments in favour of trophy hunting can be heard at their most impassioned. For the first time a documentary film crew is given access into the club's inner circle, giving the opportunity to some of the world’s most prolific (professional and amateur) Trophy Hunters to tell their side of this story. This revealing and at times shocking film seeks to shine a light on the big questions in this debate. Does trophy hunting actually help or hinder conservation? In this most expensive of ‘sports’ where does their money go, and who ultimately benefits?

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.