Project Detail

Man To Man

Synopsis

Malcolm brings his son Dion to a boxing ring to "make a man" out of him. Tensions fly high as Dion decides he cannot be the kind of man his father wants him to be, and refuses to learn how to fight. The two go head to head in the ring, only it is not a battle of fists. They are locked in a battle of words, until the impossible happens - they actually start listening to each other. After so many years of avoidance, Malcolm and Dion finally let it all out to decide: what does it mean to truly be a man in today’s world?
A hard-hitting, emotional rollercoaster starring SAG/Independent Spirit Award-nominated David Harewood MBE (Homeland, Blood Diamond). The examining a father/son relationship.
Official Selection Flickerfest International Short FIlm Festival 2023

Details

Year
2022
Type of project
Shorts
Running time
19 min 20 sec
Format
Digital
Director
Shehroze Khan
Producer
Marcus Austin
Executive Producer
Rosa Powloski
Editor
Adam Lewis
Screenwriter
Selorm Adonu
Director of Photography
Domizia Salusest
Production Designer
TM Lee
Composer
Jonathon Deering
Principal cast
David Harewood, Selorm Adonu, Noah Tagon

Genre

Categories

Production Status

Production Company

Fully Focused Productions

Shehroze Khan
Oxford House
49 Oxford Road
London
N4 3EY

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Izzy first steps into the Dorrington Manor Leave Me Alone

Director: Shehroze Khan

Year: 2025

Izzy is assigned to photograph an empty Victorian manor prior to its sale. What should be a routine assignment turns into a nightmare when the house’s dark colonial past unearths secrets from the time of the British Raj. As unsettling visions and spectral apparitions of a vengeful spirit consume her, Izzy’s long-buried connection to her Pakistani heritage resurfaces with terrifying force. Trapped within the manor’s decaying walls, she must unravel its sinister secrets and confront the haunting manifestation of her own ancestral past - before it consumes her completely. Official Selection Tasveer Film Festival 2025

Pheasant Pheasant

Director: Claire Molloy

Year: 2026

A drama set in rural England amidst the backdrop of World War II exploring themes of identity, belonging, and the impact of war on personal lives - highlighting the human capacity for both empathy and cruelty in times of crisis. Martha, an 11-year-old mixed-race girl, is evacuated from London to the northern English countryside. Martha finds herself in the care of a gruff gamekeeper and his family. Feeling isolated and rejected due to her racial background and the community’s war-induced tensions, she tries to adapt to her new life, becoming captivated by the natural beauty of the countryside. Martha forms a secret friendship with Enzo, an Italian POW, whose gentle demeanour and shared sense of displacement draw them together. Martha also navigates a complex relationship with George, the gamekeeper's son, who is torn between his familial prejudices and his growing fondness for Martha.

A wide shot image of a boy sitting in a field with his back to the camera, reading a magazine. In the distance behind him is a tangle of pylons and industrial buildings Gowk

Director: Ryan Pollock

Year: 2025

Set in the decaying housing estate of Gowkthrapple and based on a true story, Gowk follows a young boy as he begins to uncover a painful family secret. His mother’s sudden absence casts a shadow over the household, while his father, unable to express his own suppressed pain, keeps the truth of the incident buried. As the boy begins to realise the emotional weight of his family’s past and the fragility of its present, he navigates a world of unspoken truths and generational wounds. The film explores the cyclical nature of family bonds, the struggle to connect across generations, the impact of inherited trauma, and the beginnings of a premature loss of innocence.