Mesocafe
Synopsis
Yusif is an underground blogger opposing the regime of Saddam Hussain from within Iraq. He arrives in London in February 2003 with a view to helping highlight the brutality of this regime and the painful consequences upon the Iraqi nation of UN imposed economic sanctions. He dreams of a liberated homeland. Yusif's short stay in London brings him into contact with an array of individuals from the vibrant community: There is Zaynab - owner of Mesocafe and purveyor of advice for marriage and love, and for work and business. There is Tawfiq, a young Iraqi refugee spending the little money he has on phone cards calling his wife in Syria; there is Suad, a successful PR executive unable to come to terms with the death of her young husband at the end of the 1991 war; and there is the beautiful Bisan who, in between translating books from Arabic to English, relives her childhood memories Iraq.
Details
- Year
- 2010
- Type of project
- Features
- Running time
- 100 mins
- Format
- Super 16mm
- Director
-
Ja'far 'Abd al-Hamid 1st Feature
- Producer
- Paul Hills
- Co-Producer
- Paul Hills
- Editor
- Schuman Hoque
- Screenwriter
- Ja'far 'Abd al-Hamid
- Director of Photography
- Alessio Valori
- Production Designer
- Daniel Nussbaumer
- Sound
- Axle Cheeng
- Composer
- Natalie Holt
- Principal cast
- Nasri Sayegh, Daphne Alexander, Ahlam 'Arab, Adam Dahrouge, Houda Echouafni, Zain al-Janabi, Khalid Laith, Andy Lucas, Raad Rawi, Kawa Rasul, Julian Boote
Genre
Categories
Production Status
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Diary of a Bandit (Diario di un brigante)
Director: Henry Worsley
Year: 2027
Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.
Your Sweet Home
Director: Nataša Cordeaux
Year: 2026
Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.
Split Ends
Director: Grace Cassidy, Laura Hafes
Year: 2025
Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026