Metallica Saved My Life

Director: Jonas Åkerlund

Year: 2018

A teenager's quest to launch Norwegian Black Metal in Oslo in the 1980s results in a very violent outcome. Oslo, 1987. 17-year-old Euronymous is determined to escape his traditional upbringing and becomes fixated on creating ‘true Norwegian black metal’ with his band Mayhem. He mounts shocking publicity stunts to put the band’s name on the map, but the lines between show and reality start to blur. Arson, violence and a vicious murder shock the nation that is under siege by these Lords of Chaos. Official Selection Sundance Film Festival 2018 - Midnight Section - World premiere

Director: Hannah Wu

Year: 2025

"A journey through the pages of my mother’s old Chinese-English dictionary, featuring tigers, socialists and roundabouts." An experimental animated short about language, meaning and moving through the world (one drawing at a time). Combining ink drawings on paper with direct animation on 35mm film, various definitions of the Chinese character for ‘walk’ take on meanings in turn literal, historical, personal and abstract.

Director: Yuqing Lin

Year: 2025

An unidentified ghostly entity travels through nocturnal shimmer - A faint and fleeting glow of the night - it is an “egregore”, a collective being formed by unconscious memories. This spectral presence drifts between night towns and children's dreamworlds, navigating fragmented geographies and temporal folds. Inspired by 1980s and 1990s Chinese children's science fiction films like WONDER BOY, the filmmaker reimagines electricity not just as infrastructure, but as a living force - speculating: what if the ghost that once inhabited lightbulbs and circuits is now displaced, scattered across phone screens and the devices of a sleepless global supply chain? In this film, the ghost transforms from a figure of mystical empowerment into a fragmented existence, diffracted, dispersed, and re-coded. Assembling fragmented connections through material and time from light accessory factories in southern China, through the dreams and imagination of children living nearby, and the port town of Grays in eastern England. These peripheral spaces appear to host accidental encounters, yet in reality, they serve as vital nodes in the circulation of low-cost global goods - concealing the shadow infrastructures of globalisation. The light traveler drifts across fragmented geographies, tracing entangled relationships between time, labour, desire, and the more-than-human.