Project Detail

Mi Piace

Synopsis

Mi Piace is a film of made with the documentation of one performance to camera, where during a spurious singing rehearsal, the singer's body is progressively bound to test the changes in the voice. The film leaves ambiguity as to the exact nature of the events, which are presented as a diverse collection of documentation, hence suggesting a history.

The singer is asked to perform repeatedly a popular aria (O Mio Babbino Caro), at each repetition (itself interrupted in mid flow at different points) the singer's body is bound, starting from the ankles, and proceeding upwards. The section isolated in the soundtrack Mi Piace, is part of the aria and means  like' or in its original context 'I would like to'.

Details

Year
2008
Type of project
Shorts
Running time
13 mins
Format
DV cam
Director
Laura Malacart
Producer
Laura Malacart
Editor
Laura Malacart
Screenwriter
Laura Malacart
Director of Photography
Laura Malacart
Sound
Laura Malacart
Principal cast
Chelsea Plumley

Production Status

Production Company

Laura Malacart

70 Spectacle Works
1a Jedburgh Road
London E13 9LX
UK

T +44 (0)7905 135 238

Sales Company

As Production company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Playing with Fire: An Immersive Odyssey with Yuja Wang Playing with Fire: An Immersive Odyssey with Yuja Wang

Director: Pierre-Alain Giraud

Year: 2025

Playing with Fire introduces audiences to an intimate virtual performance by Yuja Wang, inviting guests to witness the physical and mental act of performance through repertoire personally selected by Yuja, ranging from Bach and Chopin to Debussy, Prokofiev and Stravinsky. From this repertoire, writer and director Pierre-Alain Giraud has crafted a narrative and created transformative visual and musical worlds in collaboration with artist Gabríela Friðriksdóttir. At the center of the space, both real and virtual, is a Steinway & Sons Spirio concert grand piano, which acts as the bridge between the concert hall and the artist’s inner visions. The Spirio system—an advanced self-playing technology that can precisely record and reproduce the keystrokes of live performances—recreates Yuja’s virtuosity on the physical instrument in real time, synchronised with the holographic fingers of her virtual self.

David Philpott in underpass fighting The Devil Makes Work For Idle Hands

Director: Colin O’Reilly

Year: 2025

A man on parole, a struggling mother, and a pair of drug-dealing brothers each become part of a dizzying multiplicity of plots, but one story. A working class drama focusing on social mobility, disillusionment, and the struggles of working class people. Seen through the perspectives of three characters, the film is loosely based on real life events and uses a mixture of professional and first time actors.

Body, Remember... Body, Remember...

Director: Matthew Berka

Year: 2026

After C. P. Cavafy. Dedicated to the body, to remembering, to forgetting. When blinded, the senses can cross-pollinate so that they become more closely bonded. Likewise, they can also disassociate and lose contact with each other. Desire transforms things into other things. The erotics of absence and suggestion direct attention away from the materialism of pornography. Longing is described through cinematic space as distance and proximity. Official Selection International Film Festival Rotterdam 2026 - World premiere