Project Detail

Mickey B

Synopsis

Mickey B is a world first, a feature film adaptation of Shakespeare's Macbeth, made with serving prisoners as cast, in Northern Ireland's notorious maximum security prison, HMP Maghaberry.

Set in the fictional private prison of Burnam, where gangs run the wings, violence and drugs are the common currency.

Duncan, the number one drug dealer, is about to be released. Mickey B is the muscle collecting on his behalf.

The three witches take on the guise of three bookies, fixing the odds for their own ends. Ladyboy, Mickey B's bitch embodies the corrupting role of the queen of hate, scheming to reach the number one slot.

Shot in hand held close up with cold, razor-blue filters, an unrelenting claustrophobic intimacy draws us into this dark world of ashen, scarred faces and tattooed flesh. Casual everyday violence, bourn out of the prisoners’ first hand experiences, ensures gritty, authentic and visceral performances. The laconic, drawling voices snake the story through each unexpected shocking attack. The brutality of clipped street slang delivered at staccato pace punctuates the monotony of endless prison time. This is a Macbeth like no other.

Details

Year
2010
Type of project
Features
Running time
62 mins
Director
Tom Magill 1st Feature
Editor
Dean Hagan
Screenwriter
Sam McClean, Jason Thompson, Tom Magill
Director of Photography
Angus Mitchell
Production Designer
Lisa Stewart
Sound
Simon Wood
Composer
Dean Hagan
Principal cast
David Conway, Jason Thompson, Sam McClean, Robert Flanagan

Production Status

Production Company

ESC Ltd

Managed Workspace
109-113 Royal Avenue
Belfast BT1 1FF
Northern Ireland
UK

T+44 (0) 28 9024 3338

www.esc-film.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The protagonist, Mary, covering her ears and screaming into the curtains This Case

Director: Kemi-Bo Miller Jacobs

Year: 2026

Mary, a young mixed-race librarian, becomes convinced that a neighbour’s St George’s Cross is connected to her growing anxiety and disrupted sleep. As her unease intensifies, she struggles to distinguish reality from perception and must find the courage to speak up before she begins to unravel.

A woman in a wedding dress holding a bouquet sits on a green armchair, smiling at the camera Anak Where Did We Stay?

Director: Sadia Pineda Hameed

Year: 2026

ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).

A hand rests on two metal wires in an underground mine. An electrical box is above. A head torch shines onto the rock face. Moving Sound

Director: Sadia Pineda Hameed

Year: 2025

MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.