Project Detail

Miles Away

Linda in the depths of her delusions
Linda, Ali & Max embrace the freedom of the British seaside
Linda, Ali & Max at peace for the first time in a long time.

Synopsis

Linda and her two daughters, Ali and Max, embark on their first holiday since leaving a violent household. What begins as an exciting escape to a beloved caravan park quickly turns into a fragile attempt to rebuild their lives and heal from the trauma of their past. While the initial days are filled with laughter, hope, and the freedom of new beginnings, Linda’s unresolved pain begins to surface in unexpected ways. As the days pass, Linda experiences a breakdown, her trauma manifesting as psychosis.
Struggling to stay grounded, she becomes increasingly detached from reality, her grip on the present slipping further with each passing hour. Eventually, in a moment of deep disconnection, Linda disappears.
MILES AWAY is an intimate portrayal of the psychological aftermath of abuse. As Ali and Max search for their mother, the film delves into the silence that surrounds mental health and trauma, capturing the haunting emotional journey of those left behind. It is a story of love, loss, and the long, painful road to healing, as the daughters are forced to confront their own fears and find a way forward without the one person they were depending on.

Details

Year
2025
Type of project
Shorts
Running time
22 min 8 sec
Format
2:35
Director
Sarah Harkins
Producer
Laura Hopper
Co-Producer
Sarah Harkins
Executive Producer
Abigail Louise, Sophie Oliver, Elizabeth Blake-Thomas, Isabella Blake-Thomas
Editor
Nicholas Spilsbury
Screenwriter
Sarah Harkins
Director of Photography
Beatriz Delgado Mena
Production Designer
Eleanor Elson
Sound
Maciej Londo
Composer
Sophie Cotton
Principal cast
Laura Hopper, Lola Blue, Georgia Conlan
Other Lead Creative(s)
Casting Director - Kristian Wall

Categories

Production Status

Production Company

Fencepiece Films

Sarah Harkins
41 Jeygrove Court
101 Hatton Garden
London
EC1N 8LB

Pine Tree Productions

Laura Hopper
6th Floor
2 London Wall Place
London
EC2Y 5AU

Page updates

This page was last updated on 22nd July 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Killa Bee Killa Bee

Director: Kenton Oxley

Year: 2027

Inspired by the true story of Bryony Tyrell, known in the cage as “Killa Bee” - one of Britain’s most unexpected fighters: a nurse on the frontlines during COVID, devoted mother, and a pro MMA fighter. Featured in stories by The Telegraph, The Mirror, The Daily Star, and more, Bryony has captured hearts and media attention with her extraordinary double life... Bry leads a double life — a nurse by day and a ferocious mixed martial arts fighter by night. Driven to the brink as she prepares for a showdown with Molly McCann, she risks it all — family, sanity, everything — for her shot at glory. Just as that chance arrives, the pandemic strikes, pushing her into the trenches of the COVID ICU. When tragedy hits close to home, her world is shaken. But Bry doesn’t back down. Another fight offer reignites her hunger — though this time, her career and home life are both on the ropes. The final match? It’s brutal, raw, and unforgettable. Spotting her family in the stands, Bry makes a soul-shaking decision — choosing the battle that truly matters most. This electrifying film melds high-octane MMA action, heart-stopping drama, and an unbreakable spirit.

Passing On Passing On

Director: Richard Perryman

Year: 2027

When Charlie, a disillusioned 30-year-old, fails to attend his estranged father's funeral, his overachieving sister shows up unannounced to confront him. Their tense reunion forces them to face old wounds, buried resentments, and the messy path toward healing their fractured relationship.

Man looking at a sculpt of a male figure in a warmly lit room. Model Parent

Director: Benjamin Verrall

Year: 2026

Maya, a sculptor, agrees to create a portrait of her estranged father, David, a once-celebrated writer now coming to terms with a terminal diagnosis. As she builds his likeness in clay, Maya is forced back to the question that has shadowed her life: what led to her mother’s suicide, and what part David played in it. Outside the studio, Maya navigates the tension the reunion creates in her relationships with her partner, Della, and her sister, Jade. In the final scenes, Maya is left alone in the studio with the almost-finished sculpture, trying to complete the father she has only just begun to understand.