Moscow 11:19:31

Director: Michael Nyman

Year: 2014

A song cycle with texts written by World War I poets all of whom, apart from the English painter-poet David Bomberg, lost their lives during the war... This innovative song cycle combines chansons vieilles from European poets, archival visual excerpts, and fragments of World World I-era musical motifs, in which Michael Nyman evokes everything erased from our memory: the unknown soldiers - those who have never been found or have lost their lives.

Director: Michael Nyman

Year: 2011

NYman with a Movie Camera is a 64 minute feature film conceived and directed by Michael Nyman. The film presents a shot-by-shot reconstruction of Dziga Vertov's iconic film 'Man with a Movie Camera', replacing the original sequences with footage from Michael Nyman's own film archives shot over the last two decades.   Deeply rooted in Vertov's original ideas concerned with 'the Perception of Truth', the documentation of 'life as it is' and that of 'life caught unawares', Nyman's film attempts to capture the essence of 'what is there', and reflects on what he calls the Persistence of glance, a multi-sensorial experience of time as it occurs, of life as it happens and as recorded by the human memory. The film is a modern-day take on experimental documentary film making through the bias of cinematographic collage. It proposes to renew a discourse with the ideological and aesthetic precepts once defended by Vertov in his pursuit of the ultimate 'cleaning up' of film language from the 'corrupting influence' of Drama.

Director: Sadia Pineda Hameed

Year: 2026

ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).