Project Detail

Moths to Flame

Synopsis

20 July 1969. Two men dressed as astronauts chat in a room. They are Neil Armstrong and Buzz Aldrin, in the preparations for an important space mission on the moon. However, a fundamental detail emerges gradually from their dialogue: the mission is not really a trip to the moon.

Details

Year
2018
Type of project
Shorts
Running time
13 mins
Format
4k
Director
Marco Pellegrino, Luca Jankovic
Producer
Marco Pellegrino, Luca Jankovic
Co-Producer
Giada Mazzoleni, Daniele Bolcato
Executive Producer
Ghila Valabrega
Editor
Alessandro Alliaudi, Orsa Rahnema
Screenwriter
Marco Pellegrino
Director of Photography
Alessandro Dominici
Production Designer
Matteo Chele, Silvia Cremaschi
Sound
Duccio Servi
Composer
Marco Pellegrino
Principal cast
David Menkin, David Wayne Callahan
Story Editor
Peter Flood
Costume Design
Fabio Filigi
Makeup Department
Francesca Riva
Production Management
Federico Bruckner, Giulia Saroglia
Assistant Director
Giacomo Pellegrini
Vfx
Alfredo Menoni
Camera and Electrical Department
Loris Galletta, Ismael Jai Mohussine, Stefano Ravasio, Gabriel Reyas, Andrea Spina

Categories

Production Status

Production Company

UK, Italy coproduction

Paguro Film Ltd (UK), Box Vision (IT)

Paguro Film Ltd

11 Wrens Court
46 South Parade
Sutton Coldfield
West Midlands
B72 1QY

Sales Company

Premiere Film

Via Enrico Nöe n° 5
20133 Milano
Italy

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Gilbert Watikins as Robbie (younger) In my Beginning Is My End

Director: Ben O'Connor

Year: 2026

Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.

Yellow Bucket - Connor (Harry Baxendale) watches TV Yellow Bucket

Director: Simon Brooke

Year: 2025

Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.

girl in a red dress in a white space In-Pulse

Director: Riccardo Tito Pescini

Year: 2025

A Government sanctioned programme of opting to repress the individual’s true feelings is rolled out – the ultimate masking tool that sees two people in a relationship not able to share their true feelings no matter how drastic they are.