Mr Director

Director: Andy Martin

Year: 2008

With the weather increasingly at the forefront of our news and media together with the idea that someone somewhere has their hand on the volume knob, End of the Street takes the original 19th Century Beaufort Wind Force scale and conjures a response, incrementally turning up the strangeness. Poet and broadcaster Ian McMillan produced the poetry specially. His interpretation of the wind scale transposes the action into the familiar surroundings of an average street. Imagemaker Andy Martin produces a mix of animated graphics, 3D, live action, photography and typographics all underpinned with a bespoke score by composer Robert Worby.

Director: Andy Martin

Year: 2004

A collaboration with poet and broadcaster Ian McMillan reflecting on his recent trip to Russia - a short visual poem. A combination of studio set photography, animation and motion graphics illuminate this thoughtful meditation on the notions of travel and identity.

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025