Mumford and Sons - We Wrote This Yesterday
Synopsis
Details
- Year
- 2016
- Type of project
- Features
- Running time
- 62 mins
- Director
-
Sam Wrench
- Producer
- Sophie Robinson
- Executive Producer
- Lesley Williams, Sophie Robinson, Terry Shand, Geoff Kempin
- Editor
- Reg Wrench
- Director of Photography
- Bud Gallimore
- Sound
- Simon Hill
- Composer
- Mumford and Sons
- Principal cast
- Marcus Mumford, Winston Marshall, Ted Dwane, Ben Lovett, Baaba Maal, Johan Hugo
Categories
Production Status
Production Company
Sunshine Pictures
8 Sheperdess WalkLondon
N1 7LB
Sales Company
Eagle Rock Entertainment
Eagle House22 Armoury Way
London
SW18 1EZ
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Mary J. Blige - The London Sessions
Director: Sam Wrench
Year: 2015
A behind-the-scenes look at Mary J. Blige recording her 13th studio album in London. The film chronicles the singer's creative process as she writes, records and curates one of her most experimental albums to date. Teaming up with some of the most successful British singer/songwriters including Sam Smith, Disclosure and Emeli Sande (all of whom appear in the documentary), Mary J. Blige – The London Sessions offers unparalleled access to one of the worlds most successful singers. Official Selection Tribeca Film Festival 2015 - World premiere
Adlais
Director: Alex Darby, George Leith, Sophie Mei Birkin
Year: 2026
Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.
The End of Times
Director: Luca Anzalone
Year: 2026
Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.