Project Detail

Mumford and Sons - We Wrote This Yesterday

Synopsis

Following the collaborative process of the band Mumford & Sons with an esteemed collection of musical partners during their 2016 tour of South Africa. Inspired by their first trek through the territory, and the unprecedented excitement from their South African fans, the band was moved to record five new songs with artists Baaba Maal, Mamadou Sarr, The Very Best, and Beatenberg. The blending of ideas and musical styles from Senegal, Sweden, Malawi, Cape Town, and London resulted in their acclaimed Johannesburg mini-album, recorded in just two days and released globally in June 2016.

Details

Year
2016
Type of project
Features
Running time
62 mins
Director
Sam Wrench
Producer
Sophie Robinson
Executive Producer
Lesley Williams, Sophie Robinson, Terry Shand, Geoff Kempin
Editor
Reg Wrench
Director of Photography
Bud Gallimore
Sound
Simon Hill
Composer
Mumford and Sons
Principal cast
Marcus Mumford, Winston Marshall, Ted Dwane, Ben Lovett, Baaba Maal, Johan Hugo

Categories

Production Status

Production Company

Sales Company

Eagle Rock Entertainment

Eagle House
22 Armoury Way
London
SW18 1EZ

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Mary J. Blige - The London Sessions Mary J. Blige - The London Sessions

Director: Sam Wrench

Year: 2015

A behind-the-scenes look at Mary J. Blige recording her 13th studio album in London. The film chronicles the singer's creative process as she writes, records and curates one of her most experimental albums to date. Teaming up with some of the most successful British singer/songwriters including Sam Smith, Disclosure and Emeli Sande (all of whom appear in the documentary), Mary J. Blige – The London Sessions offers unparalleled access to one of the worlds most successful singers. Official Selection Tribeca Film Festival 2015 - World premiere

A man takes a photo of bench. Purple text says BENCHES and lists the credits of the film Benches

Director: Clare Richards

Year: 2026

A split-screen dome projection is not something you see every day, yet its subject could hardly be more ordinary: public benches, located mainly in Plymouth, on the south coast of England. Whenever Tim Hart spots a new one, he takes a photograph, as he has done for 50 years. Just one photo, no more. “Cause it’s the same bench,” he explains amiably in Clare Richards’s documentary, which fills one half of the projection. On the other half, an orchestra performs Samuel D Loveless’ score, also titled BENCHES. His music follows the rhythm of Hart’s daily life as he walks from bench to bench, photographs them, sometimes sits down for a while, then moves on. And not just benches: Hart also photographs telephone booths, fairs, and more. Neurodivergent composer Loveless discovered the photographic archive of his autistic uncle Tim and was struck by the beauty of the everyday, patiently collected over decades. It gave Loveless an opportunity to celebrate a neurodivergent way of seeing the world, not by explaining it, but by sharing it.

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.