Project Detail

MU/T/T/ER

Synopsis

At a time when ever-greater numbers of people are bilingual (or trilingual), it’s often the case that the language someone most regularly talks in isn’t the same as the language they think in. A mother tongue precedes any other tongue—the umbilical idiom an individual instinctively falls back on, and the one they feel most at home in. The title of Kondo Heller’s video MU/T/T/ER plays on the word for ‘mother’ in German—a language, like English, with which she is intimately familiar without it always feeling unconditionally, authentically familial. In this video and audio collage, compiled where Heller was living during lockdown, snatches of English and German share the space with remembered or re-discovered Swahili. As a background murmur to all these, a subliminal but ubiquitous resident voice surfaces in the spluttered mutterings and stuttered utterances that are the common parlance of someone living alone. These fragments of inner monologue, mumbled under one’s breath or spoken out loud, are matched to different rooms in the house, as if to echo different facets of the self. A poetic reminder of the patterns and habits of introspection, and the quiet tumult of everyday personal thoughts that reverberate within.

Details

Year
2021
Type of project
Shorts
Running time
18 min
Director
Esther Kondo Heller

Production Status

Production Company

Film and Video Umbrella

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

All These Summers All These Summers

Director: Therese Henningsen

Year: 2025

Driven by a recurring urge to encounter strangers with her camera, the filmmaker begins to film her solitary Greek Cypriot neighbour Pete in the tower block in London where they both live. Around the same time, her father in Denmark receives a cancer diagnosis requiring her to spend more time with him. As her father gradually slips back into the depression that made him absent when she was a teenager, she feels a need to document this transition. Her compulsion to enter into Pete’s life and to film him echoes with her desire for understanding her father’s experience of isolation and loneliness, as well as her own relationship to it. ALL THESE SUMMERS asks questions about responsibility in life and in film whilst intimately confronting the complexities of the daughter-father and filmmaker-subject relationship. Official Selection CPH DOX 2025

Elegy for the Lost Elegy for the Lost

Director: William Hong-xiao Wei

Year: 2025

Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.

How to Be a Ghost in Bangkok? How to Be a Ghost in Bangkok?

Director: Jing Zhao

Year: 2025

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.