My Friend Lanre

Director: Leo Regan

Year: 2004

Comfortably Numb follows Jake's battle to overcome his addiction to alcohol in a specialised treatment centre, Promis. He is initially resistant to the programme, but things improve when he starts a relationship with fellow patient, Emma. Jake is introduced to Promis's system of group counselling and is confronted about his 'sex and love' addiction. But he can't understand that his growing reliance on Emma is as much a barrier to his recovery as his dependency on alcohol. The pair are banned from seeing each other.   After a drug-fuelled night, things get out of hand. The next day, Jake comes close to accepting what he needs to do to recover but it proves too much for him and he decides to leave, and recover on his own terms. But almost immediately he walks into a pub.   It seems as though Jake will return to his old ways, but as the film ends, we see that he is back at Promis, determined to make a full recovery this time.

Director: Julian Konczak

Year: 2025

Following a pilgrimage through the sacred sounds of India – a land of many faiths, including Vedanta, Islam and Buddhism. Using striking visual material accompanied by an evocative, multi-layered soundtrack, the audience is taken on a unique sonic journey through the sacred sound practices of many of the world’s key religions. A combination of interviews, performances, and natural sounds creates a rich, immersive cinematic experience. With an intimate, direct camera style, viewers can get close to the many spiritual practitioners, musicians, and meditation teachers who form the fabric of the journey. Bubbling hot springs, subtropical nocturnal symphonies of insects, and harsh, frozen mountain winds combine with mantra chanting, classical Hindustani music, and the dynamic temple sounds of drums and trumpets. This audiovisual tone poem invites you to experience heightened sensory awareness and the transformative, healing power of sound.

Director: Eamon Bourke

Year: 2026

Filmmaker Eamon Bourke lost his mother, Sue, when he was three and has no memory of her. When his father decides to sell the remote Lake District home where she died, Eamon returns with his camera to document the house and its clearing. Among Sue’s belongings - diaries, poems, photographs and tapes - he discovers a box of damaged cassette recordings. After painstakingly repairing them, he uncovers something extraordinary: his mother’s voice. Through these intimate audio diaries, Sue speaks candidly about motherhood, sings to her children, and captures fleeting family moments Eamon never knew. One final tape records her describing the onset of hepatitis, days before she fell into a coma and died in 1983. Another, more haunting still, features three-year-old Eamon calling out to his unconscious mother in hospital, in a desperate attempt to bring her back. As Eamon pieces together this archive, he confronts the enduring impact of early loss, speaking with his father and sisters while retracing the emotional landscape of his childhood. Set against the vast beauty of the Lake District, a deeply personal exploration of grief, memory and love - an attempt to recover what was lost, and to finally say goodbye.