Project Detail

Mystis

A pale child-like figure floats in a dark, cavernous underwater space beneath a rippling blue-lit ceiling.
A pale child character looks over their shoulder in a dim, candlelit hall with ghostly translucent figures in the background.

Synopsis

You awaken on a fog-shrouded shoreline and meet Echo, a strange child with a hole in their stomach. Together you cross a lantern festival where the veil between worlds is thinnest, sail into an ocean that opens beneath you, and descend through a portal into the Underworld.
The Underworld moves through different facets of grief: a rave where silhouettes dance in slow motion, indifferent to Echo's attempts to reach them; a frozen sea where giant statues crack open to release a buried memory of a lost mother; a shadow theatre where an anger monster is unleashed, reducing everything to embers.
From the embers, a boat carries you into a vast darkness, where Mother appears, and they are finally reunited. You sail together to the Tree of Life, a bioluminescent, cosmic jungle. Echo begs her to return to the World of the Living, but ancestors appear and surround you. She cannot come back - the journey was never about bringing her back. Echo, revealed to be your own child self, dissolves around you as the hole fills with light.

Details

Year
2028
Type of project
XR / Immersive
Running time
20 mins
Format
Cinematic PCVR / Immersive Experience
Director
Tatiana Collet Apraxine
Producer
Alina Mikhaleva
Co-Producer
Alysha Nelson
Screenwriter
Tatiana Collet Apraxine, Ruth Mariner
Sound
Billy Mello
Composer
Jay Chakravorty

Production Status

Production Company

Onism Studio Limited

31 Mill Street
SE1 2AX London
UK

Page updates

This page was last updated on 13th August 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The lower-half of a person's face, with a cigarette in their mouth. A film projector in the dark background. Dream Factory

Director: Alex Matraxia

Year: 2023

Dream Factory is an experimental erotic thriller, exploring the historical role of cinemas as cruising sites, as well as navigating queer and cinematic history through the lenses of nostalgia and fetish. Official Selection, Fantasia International Film Festival 2024

Image of photograph in water. Katherine May Fannon (Falling in time)

Director: Helga Dorothea Fannon

Year: 2025

"Driven by a single photograph that seemed to hold pieces of myself and my sister, I began interviewing my father to uncover the life of his mother, Katherine May Fannon, and her roots in Liverpool. The image stirred something deep - I realised how much I wanted to know her, to feel connected across generations. Though my father lives in Sweden, we bridged the distance over Zoom, with only faded photos he shared as windows into her world. Through these stories, I hoped not only to understand her but to feel closer to him as well." This film was created during Stitch & Remix, a 3-day workshop by Renaissance Studios in collaboration with London's Screen Archives as part of the Undocumented project by London's Screen Archives and The New Black Film Collective. Seeking to address the lack of Black stories in London's moving image archives. This project, and workshops such as Stitch & Remix, are made possible through the support of the BFI, awarding National Lottery funding. Official Selection, Wysiwyg 2026

A blurry still of people in white vests Lost Souls Swimming in A Fish Bowl

Director: Aneek Chaudhuri

Year: 2026

Lost Souls, Swimming in a Fish Bowl is a silent documentary about the invisible territories of depression, isolation, memory, and the fragile act of continuing to live. There are people who move through the world every day while feeling as though they exist behind glass. They work, walk, eat, sleep, smile, and disappear into crowds—yet remain suspended within an interior world that no one else can enter. The film observes these fractured states without explanation, diagnosis, or spoken testimony. Instead, silence becomes the language of the film. Through faces, bodies, empty rooms, urban landscapes, found footage, archival fragments, photographs, gestures, objects, and moments of stillness, Lost Souls, Swimming in a Fish Bowl enters the psychological geography of people who feel trapped inside themselves. The fish bowl becomes both metaphor and physical space: transparent enough to see the world outside, yet impossible to escape.