Never A Master Plan

Director: Giorgio Guernier

Year: 2017

Inspired by American touring blues acts like Muddy Waters and Sister Rosetta Tharpe and with the complicity of a 19-year old student from Teheran, in 1962 guitarist Alexis Korner and harmonica player Cyril Davies opened the Ealing Club, London's (and Britain's) first Rhythm and Blues venue. Soon young music fans from all over the country start attending Alexis and Cyril's shows and sit-in during their set. The list of youngsters who learn the blues at the Ealing Club includes: Jack Bruce, Ginger Baker, Paul Jones, Brian Jones, Mick Jagger, Keith Richards, Dick Taylor and Eric Burdon (just to name a few). The Ealing Club, a.k.a. 'The Cradle of British Rock' (Mojo Magazine), a dingy and smokey concrete-floored basement barely mentioned in music history books will only last three years, but its pivotal role in nurturing the golden generation of Classic-rock musicians and kick-starting the British Blues movement remains undeniable.

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.