Night is Day: Dusk

Director: Fraser Coull

Year: 2012

Jason Mackenzie has become a hidden hero; a rumour, an urban myth. DCI Charles Sloan is a veteran in the police force who knows the truth behind the whispered tales. He has had his own encounters with supernatural entities, demons and vampires, and knows first-hand the work of the lightning vigilante. Now there is a new danger in the city: the Caillech, an ancient creature portrayed in legend as wielding an unstoppable hammer, bent on wreaking havoc after centuries of exile. Teamed with a former adversary of Jason's, whose phony contrition has many fooled, the Caillech is a formidable threat to the peace Jason struggles to maintain. In Night Is Day Jason must focus all his powers on discovering the Caillech's intentions and defeating her before she decimates his city. He must ensure the safety of DCI Sloan and his team, who are determined to play their part in helping Jason despite the increased danger they face as mere humans. And he must find out what's so important about Lena, a medical student he saved from a vicious attack, and who seems to have an uncanny connection with the Caillech.

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.