No Ball Games

Director: Matt Nicholas

Year: 2026

Dr. Atkins, the hospital’s expert in removing “foreign objects”, finds himself in a bind when he forgets to get a present for his big wedding anniversary. When the perfect gift presents itself inside a patient, will he be willing to risk it all for love?

Director: David Skynner

Year: 2026

A 50-year-old widow, Emma, has lost everything since her husband, Sam, was killed and her final refuge, a holiday lodge in Cornwall is due to be repossessed too. She is harried by debt collectors, seeing things, agoraphobic, and convinced she is losing her mind. Desperate, she calls for help from any God listening, and in a dark wood, something hears her. Her dead husband is haunting her and appears and talks to her in the dead of night. Emma’s starts to experience dreams of a magical wood and strange figures of butterflies and men made from twigs start to appear in and around the lodge. Sam is advising that she must let go of the old, in order let a new life in, but this terrifies Emma. Emma starts to see moments from her future; each bleaker than the last and fears for her own survival. With eviction imminent, Emma agrees she must surrender, whatever that might mean. A creature made from forest appears and helps her to escape. She follows it into the magical wood from her dreams and is baptised in a beautiful river. When she emerges, she is reborn and ready for her new life.

Director: Peter Treherne

Year: 2026

MATTER OF BRITAIN was an English country village’s performance of the Holy Grail myth. In that myth, King Arthur’s knights quest for the Holy Grail in order to heal their wasted land. The performance took place over 12 months from 2023 to 2024 in multiple locations across the parish of Mayfield, East Sussex. Over 300 members of the community took part as questing knights, angelic choirs, guiding anchorites and tempting devils. The performance was documented and subsequently made into an ethnographic fantasy that has screened at the Museum of Modern Art, CPH:DOX, Cinéma du Réel and Open City Documentary Film Festival. The work was supported by an Arts Council England Project Grant, the Lund Trust, High Weald AONB, East Sussex Arts Partnership, the University of Reading and the Museum of English Rural Life.