Normal for Norfolk

Director: Gareth Lewis

Year: 2008

Milo is a professional hitman living on the edge. When he fails to fulfil a contract for the first time in his career, he is forced to escape the city to avoid the wrath of his employers who are keen to make him pay for his apparent failure. Pursued by a ruthless colleague who has been charged with delivering his punishment, Milo hides out in a remote rural village where the locals mistake him for the new baker. Forced to bake bread and cakes to maintain his cover, what he discovers in the process is nothing short of a revelation. When sparks fly with the beautiful local vet, he decides to start a legitimate new life as the village baker; but with his past about to catch up with him, Milo soon discovers that you can't always have your cake and eat it.

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.