Now

Director: Peter Todd

Year: 2023

A quietly poignant domestic film made of images gathered around the house and its surroundings over a two-year period. The title might seem self-explanatory, we do see pillows, bowls, roses, trees – but also curtains, tablecloths, saucers, other trees and flowers (in the garden and arranged on vases). We sense the changing seasons and we sense a lived-in space – one that is shared as the pillow arrangements suggest. Working with a Bolex camera involves a tension between the technology and the world surrounding the filmmaker, the maximum shot length is limited to around 20 seconds because of the windup spring motor. (Open City Documentary Festival programme). Official Selection Open City Documentary Festival 2023

Director: Peter Todd

Year: 1999

In any moment, thoughts and memories from others are present. Diary - an emotional and poetic short film set around a family today.

Director: Konadu Gyamfi

Year: 2023

Konadu Yiadom Gyamfi takes a poetry-led journey through Ghana and the experience of female welder Stella A true story captured through poetry, director and poet Konadu Yiadom Gyamfi follows the journey of Stella, a female welder from Uganda. Shot in Ghana, the film showcases the profound impact of faith in guiding her towards success in a world that often challenges her path as a woman. “There are so many diverse and captivating stories to be explored within this beautiful and complex continent but we don’t often hear the stories of women from their own mouths. Platforming stories like Stella’s is how we start moving forward in portraying Africa and its people.” Defying expectations through her resilience and passionate dedication to her craft, Stella transcended early challenges she faced by entering into a program for young women, now a working welder in spite of societal beliefs regarding women’s roles. Evolving over several months of close collaboration between Stella and Gyamfi, the film illustrates Stella's life and the local landscape through insightful conversations tracing her path into welding, lensing a remarkable reality that confronts narratives on African women that strip away their agency.