One Girl
Synopsis
This documentary follows four young girls for one day, each living in a different country but awoken by the same dawn in the same meridian: South Sudan, Romania, Palestine, Finland. Our girls are so different from one another and yet so similar in their behaviours, intentions, desires and dreams.
With their innocence and spontaneity, children can show us our differences and similarities, portraying their inner beauty and sometimes their tragedy. They teach us to be more sympathetic with “others” and give us a better understanding of our world.
Details
- Year
- 2018
- Type of project
- Features
- Running time
- 64 mins
- Format
- hd
- Director
-
Rosa Russo 1st Feature
- Producer
- Rosa Russo, Debra Wootton
- Co-Producer
- Gianfranco Isernia, Anca Puiu, Pasi Hakkio
- Executive Producer
- Paola Boncompagni, Cindy Depasquale, Francesco Zibellini
- Editor
- Marzia Mete
- Director of Photography
- Matteo Keffer, Martina Cocco
- Sound
- Silvia Moraes
- Composer
- Lucas Jordan
- Film Images
- ©Rosa Russo, Martina Cocco, Webra Productions
Categories
Production Status
Production Company
Debra Productions
Pinewood StudiosIver Heath
SL0 0NH
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Stage
Director: Brett Morgen
Year: 2027
An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere
India's Circularity: Not a Trend, But Tradition from Margins
Director: Purva Tavri
Year: 2026
Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.
A Spirit, a Deity, a Barbarian? Captive in the Subterranean
Director: Hannan Jones
Year: 2025
In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.