Planet Israel

Director: Gillian Mosely

Year: 2020

Knowledge is power, but lack of knowledge keeps power where politicians want it... From BAFTA-award-winning producer Gillian Mosely, in association with multi-award winners, Spring Films (NIGHT WILL FALL, THE ACT OF KILLING), THE TINDERBOX is a controversial, revealing, and timely new feature documentary exploring both sides of the Israeli Palestinian conflict. It’s the first time the facts behind the divide have been brought to the screen in a single film, and delves deep into history, as well as hearing from contemporary Israeli and Palestinian voices. Exposing surprising, shocking and uncomfortable truths, not least for its Jewish director and onscreen investigator, this is an important film that will provide valuable context and help people make up their minds – or even change them.

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.