Planet Israel

Director: Gillian Mosely

Year: 2020

Knowledge is power, but lack of knowledge keeps power where politicians want it... From BAFTA-award-winning producer Gillian Mosely, in association with multi-award winners, Spring Films (NIGHT WILL FALL, THE ACT OF KILLING), THE TINDERBOX is a controversial, revealing, and timely new feature documentary exploring both sides of the Israeli Palestinian conflict. It’s the first time the facts behind the divide have been brought to the screen in a single film, and delves deep into history, as well as hearing from contemporary Israeli and Palestinian voices. Exposing surprising, shocking and uncomfortable truths, not least for its Jewish director and onscreen investigator, this is an important film that will provide valuable context and help people make up their minds – or even change them.

Director: Brett Morgen

Year: 2027

An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere

Director: Purva Tavri

Year: 2026

Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.