Project Detail

Pride and Prejudice and Zombies

Synopsis

Five sisters in 19th century England must cope with the pressures to marry while protecting themselves from a growing population of zombies. A fresh twist on Jane Austen's widely celebrated novel.
A mysterious plague has fallen upon 19th century England, the land is overrun with the undead. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry. Casting aside personal and social prejudices, Elizabeth and Mr. Darcy must unite on the blood-soaked battlefield to rid the country of the zombie menace and discover their true love for one another.

Details

Year
2016
Type of project
Features
Running time
107 mins
Director
Burr Steers
Producer
Marc Butan, Sean McKittrick, Brian Oliver, Natalie Portman, Annette Savitch, Allison Shearmur, Tyler Thompson
Co-Producer
Stephen Meinen
Executive Producer
Sue Baden-Powell, Kimberly Fox, Edward H. Hamm Jr., Phil Hunt, Nick Meyer, Compton Ross, Lauren Selig
Editor
Padraic McKinley
Screenwriter
Burr Steers (screenplay), Jane Austen (novel), Seth Grahame-Smith (novel)
Director of Photography
Remi Adefarasin
Production Designer
David Warren
Composer
Fernando Velázquez
Principal cast
Lily James, Sam Riley, Bella Heathcote, Douglas Booth, Jack Huston, Lena Headey,

Categories

Production Status

Production Company

USA, UK coproduction

Cross Creek Pictures (US), MadRiver Pictures (US), QC Entertainment (US), Allsion Shearmur Productions (US), Handsomecharlie Films (US), Head Gear Films (UK)

Head Gear Films

Ashley House, 5th Floor
12 Great Portland Street
London
W1W 8QN

Sales Company

Sierra / Affinity

9378 Wilshire Blvd. #210 Suite 210
Beverly Hills
CA 90212
USA

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Gilbert Watikins as Robbie (younger) In my Beginning Is My End

Director: Ben O'Connor

Year: 2026

Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.

Yellow Bucket - Connor (Harry Baxendale) watches TV Yellow Bucket

Director: Simon Brooke

Year: 2025

Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.

girl in a red dress in a white space In-Pulse

Director: Riccardo Tito Pescini

Year: 2025

A Government sanctioned programme of opting to repress the individual’s true feelings is rolled out – the ultimate masking tool that sees two people in a relationship not able to share their true feelings no matter how drastic they are.