Private Parts

Director: Anna Ginsburg

Year: 2025

Our story begins with our heroine breaking up with her obnoxious boyfriend; what should be a moment of liberation instead transforms her from a regular thirty-something into a hag with snakes for hair. Hag battles society pressures, inner longings, and the tick of her own biological clock. She searches for love and meaning in a hellscape of waning fertility, dating apps and the rotten stench of the patriarchy. In this surreal South London, Hag's journey becomes mythical as her despair crystallises into a quest for answers, and she must face the ultimate test! In a world where being true to yourself makes you monstrous, what is the cost of compromise and repressing your authentic self? Official Selection SXSW 2026 - World Premiere

Director: Anna Ginsburg

Year: 2012

Enchanting music video for a track by the Bombay Bicycle Club.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.