Project Interrupted: The Making of Commercial Zone 2014

Director: Kathy DiTondo

Year: 2020

I WAS A TEENAGE GUITARIST FOR THE CLASH! © the documentary film is based on the DIY book by Kathy DiTondo and Keith Levene published in 2014. This book with artistic custom cover was completely pulled off DIY from concept through marketing through finance through product development through post production through distribution and provided a main funding source for the completed PiL album called Commercial Zone 2014. The book recalls the DIY British music/art/design/cultural/political revolution that began in streets of West London and went global in 1976 as told to Kathy DiTondo by Keith Levene, founder member of "the only band that matters" - the Clash.. The Clash along with the Sex Pitols were the two major bands on the West London scene.

Director: Lauren Gee

Year: 2024

Documenting and celebrating the Black British female roller-skating community, showcasing its long history and fixture within popular culture. Blurring the boundaries between documentary and music video, this experimental film reveals the expansive network of London’s Black skate scene through two key individuals that share their stories and delve into what this space and their skate crews and mentors provide them. This joyous exploration gives visibility to a subculture that to many outsiders is unknown but is made familiar through its nostalgic lens which pays homage to the sports DIY and music-led roots. Official Selection Trinidad and Tobago Film Festival 2025

Director: Saddiq Abubakar

Year: 2026

In isolation on Iceland’s Snæfellsnes Peninsula, Nigerian-born modular synthesis artist Colloboh transforms glacial and oceanic recordings into sonic compositions - uncovering a dialogue between ice and sea that reshapes his understanding of consciousness, ecological collapse, and humanity’s place within both. As his process unfolds, Colloboh transforms these sounds into layered sonic works that blur the boundaries between observation and communion. The film culminates in a haunting gesture: he plays the completed composition back to the landscape itself, completing a dialogue between artist and environment. A meditation on impermanence, consciousness, and the fragile bond between humanity and the natural world.