Project Detail

Queering di Teknolojik

Synopsis

QUEERING DI TEKNOLOJIK is a message from the future. Spoken by the collective digital voice of a group of queer artists and activists, this collaborative project speculates about the possibilities of a temporality yet to come. This is a message of hope.
Official Selection BFI London Film Festival 2019 - Official Short Film Competition - Experimenta Strand - World premiere

Details

Year
2019
Type of project
Shorts
Running time
8 mins 30 secs
Format
Digital
Director
Timothy Smith
Producer
Timothy Smith
Executive Producer
Timothy Smith
Editor
Timothy Smith
Screenwriter
Timothy Smith, So Mayer
Director of Photography
Timothy Smith
Sound
Timothy Smith
Principal cast
Teresa Cisneros, So Mayer, Timothy Smith, Valentino Vecchietti, Campbell X

Production Status

Production Company

Lucid Films Ltd.

11A Sidney Street
London
E1 2HH

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Attack Attack

Director: Timothy Smith

Year: 2007

A neo-Nazi skinhead is apprehended because he has attacked two black teenage boys. As we are taken backwards through the story we realise that things may not be as 'Black and White' as they appear.   Watch on BBC Film Network.

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026

An Immersive Theatre / XR image of a courtroom with large television amongst a wraparound screen with scenes of humanity GAWD v. The People

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere