Runaway

Director: Kim Longinotto, Ziba Mir-Hosseini

Year: 1998

In a small Tehran courtroom, the stories of three strong-willed women unfold as they use reason, charm, pleas for sympathy, anger, even a disarming wit to win what they each need - a divorce. Divorce Iranian Style is a unique window into the impassioned but very practical business of divorce - and marriage - in three Iranian women's lives. Jamileh, whose son saved her from the hand of her abusive husband; Ziba, an outspoken 16-year-old who proudly stands up to her 38 year-old husband and his family; and Maryam, remarried and desperate to regain custody of her two daughters. Stirring and poignant, this fly-on-the-wall look into the real circumstances of Iranian women's lives shatters the stereotype of women as passive victims in the Muslim world. (Edinburgh Film Festival Review)

Director: Purva Tavri

Year: 2026

Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.