Schneider's 2nd Stage
Synopsis
It's just the beginning of a nightmare of no escape - and what he discovers in the forest across the dark waters of the lake will change his life forever.
Details
- Year
- 2001
- Type of project
- Shorts
- Running time
- 16.38 mins
- Format
- 35mm
- Director
-
Phil Stoole
- Producer
- Phil Stoole
- Editor
- Geraint Huw Reynolds
- Screenwriter
- Phil Stoole
- Director of Photography
- Roger Lanser
- Sound
- Peter Glossop
- Composer
- John Ross
- Principal cast
- Kenneth Branagh, Gerard Horan, Jimmy Yuill
Categories
Production Status
Production Company
Contact: Phil Stoole
Garden Flat, 4 Sisters AvenueLondon SW11 5SG
UK
T 020 7585 2286
phil_stoole@yahoo.com
Sales Company
Contact: Phil Stoole
Garden Flat, 4 Sisters AvenueLondon SW11 5SG
UK
T 020 7585 2286
phil_stoole@yahoo.com
Page updates
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See also
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Schneider's 2nd Stage
Director: Phil Stoole
Year: 2000
Joe finds himself in a field in the middle of nowhere. His mobile phone rings and a voice tells him to look in the back of his car. What he finds there is the beginning of a nightmare from which he'll never escape.
In my Beginning Is My End
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Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.
Yellow Bucket
Director: Simon Brooke
Year: 2025
Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.