Project Detail

Scream If You Wanna Go Faster

Synopsis

Part erotic lyric video, part theme park from hell.
The film is essentially a lyric video that tells the tale of a traumatic event through the use of text, animation and sound. The film includes various overwhelming surreal, hyper-saturated environments, beginning with a cliched CGI animation of a flower opening against a perfectly kitsch blue sky. The world then morphs into a hand-shaped planet that in some way resembles a Theme Park. Debunking the white middle-class American family, the amusement park becomes a place of hell. Sounds are amplified and screams of excitements are modified to become screams of pain. With a nod to the excess of meme culture, additional muffled, tinny sounds of Instagram clips play throughout the background on a continual loop, beginning and ending abruptly, resembling the longevity of a ten-second Instagram story. Within the film there is a prevalent sense of slippage, the text begins to get lost as you get distracted by the alluring campiness of the background visuals. Due to this fleeting time with the text, the reader ends up constructing the already written tale themselves, creating their own constructed translation of an already fractured story. The text itself is a mix of erotic and confessional writing, discussing the complexity that is inherent in a gay man's lust. Conjoining sexual fantasy with the prospect of failure, the text flips between the distinctions of reality and the delusion of erotic imagination. Containing themes of anger, desire and trauma, the text is both fictional and autobiographical.

Details

Year
2020
Type of project
Shorts
Running time
3 min 32 sec
Director
Benjamin Parsons
Producer
Benjamin Parsons

Production Status

Production Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Two girls underwater: one blows bubble rings while the other reaches out to pass through them Deep End

Director: Puzhen Zhang

Year: 2026

One summer in early 2000s China, a shy preteen girl confronts her fear of water — and human connection — when she forms an unexpected, magical bond in the deep end of the pool.

The image shows two people, a man sat down at a table and a woman leaning on the table looking straight at him. Arthur & Clara

Director: Kieran Bourne

Year: 2026

Arthur, a Black filmmaker struggling with his sense of identity and external expectations, retreats to a remote farmhouse with seven days left to finish his script. His solitude is quickly interrupted by Clara, a high-profile actress on the run from her press tour, seeking an escape from a life defined by words on a page. Searching for distance from the pressures that have led them here, Arthur and Clara initially resist one another. But as their fragile egos attempt to connect, their shared vulnerability leads them on an accidental journey of self-discovery, revealing what it truly means to be seen. Set against the quiet isolation of the British countryside, Arthur & Clara is an intimate exploration of identity and genuine connection. This is not a story about two people finding each other, but about two people finding themselves. Official Selection, Austin Film Festival 2026 - WORLD PREMIERE

A man, a woman and a police officer looking downwards Sabotør

Director: Adam Lavis

Year: 2027

Thomas and Anje have been struggling to conceive, but neither knows how to talk about what they’re going through. Anje pours herself into her family and caring for her demanding mother, while Thomas retreats into work and the purchase of their dream home. To Thomas, the house represents a chance for them to build a life away from Anje’s overbearing family, particularly her brother Hemming, a man seemingly incapable of tact, grace or decorum. But just as they are preparing to complete on the house, Thomas unexpectedly loses his job. With only fourteen days to find new employment before the bank withdraws their mortgage, he keeps the news from Anje, convinced he can solve the problem himself. When Hemming discovers Thomas’s secret, he immediately takes it upon himself to help. His increasingly bizarre solutions draw in dubious acquaintances, eccentric family members and, eventually, the attention of the law. What begins as a quiet domestic crisis gradually descends into farce, as Thomas’s determination to solve everything alone threatens to sabotage the family and future he has been trying so desperately to protect.