Sea of Clouds ()

Director: George Clark

Year: 2018

Exploring the status and potential of unrealised and fragmented histories from the legacy of Chilean filmmaker Raúl Ruiz (1941 – 2011) to animist cinematic traditions in Taiwan. The project takes as its starting point an unfinished film made by Raúl Ruiz in Taiwan in 1995. Based in Paris since the late 1970s Ruiz came to Taiwan to film THE COMEDY OF SHADOWS / LA COMEDIE DES OMBRES with a script inspired by the Taoist philosophy of Chuang Tzu’s' Wandering on the Way' and Luigi Pirandello’s 'Six Characters in Search of an Author'. The project was filmed at Chin Pao San cemetery with a Taiwanese cast and crew but never finished. The incompleteness of Ruiz’s film is the starting point for DOUBLE GHOSTS, that considers the echoes of this unrealized project to explore cinematic and political phantoms. Drawing on research and diverse collaborations with filmmakers Valeria Sarmiento and Niles Atallah as well as Chilote fishermen, the film is staged as a series of actions seeking to reactivate this lost film. Filmed on 35mm film in Chile and Taiwan, DOUBLE GHOSTS follows traces across the Pacific from Ruiz’s birthplace in Puerto Montt to the mountain cemetery in Taiwan. Official Selection International Film Festival Rotterdam (IFFR) 2019 Official Selection New York Film Festival 2019 - Projections

Director: George Clark

Year: 2016

A feature length film exploring themes of identity, culture and the construction of history. Shot on 35mm film in various Californian deserts that provide a stage in which to re-enact the negotiations of an archaeologist from Cairo with a members of tribe who guard ancient culture hidden in tombs lost in the desert. The scenario for the film was adapted from the 1969 Egyptian film 'A Night of Counting the Years' directed by Shadi Abdel Salam, creating a layered story that echoes from ancient Egypt to the diversity of desert ecology and recent archaeological digs for lost Hollywood film sets. Working in collaboration with the musician and composer Tom Challenger a new choral composition was created and recorded for the film, drawing on traditional and modern acoustic techniques to reflect the shifting sands of the desert landscapes.

Director: Sadia Pineda Hameed

Year: 2026

ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).